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Nicholas Hilliard
James I
James I, 1603-9, V&A
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Nicholas Hilliard
Hilliard wife Alice
Hilliard's wife Alice, an example of the influence from French art in his work. 1578
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Nicholas Hilliard
Portrat eines unbekannten Mannes
6 x 4,8 cm
1572(1572)
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Nicholas Hilliard
Portrait MIniature of Elizabeth I
1572(1572)
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Nicholas Hilliard
Miniature of d'Alencon
c. 1577
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Nicholas Hilliard
Portrat des George Clifford, Earl of Cumberland
25,2 x 17,5 cm
c. 1590
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Nicholas Hilliard
James I
5,4 x 4,1 cm
1603-1609
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Nicholas Hilliard
Portrat der Alice Brandom
5.1 x 4.1 cm (2 x 1.6 in)
1578(1578)
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Nicholas Hilliard
Elizabeth I, the Pelican portrait,
c.1575
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Nicholas Hilliard
Elizabeth I, the
78.8 x 61 cm (31 x 24 in). c. 1575-76
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Nicholas Hilliard
Marguerite de Navarre
2 1/4 in (5.7 cm) high.
Date 1577(1577)
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Nicholas Hilliard
Portrait of Sir Walter Raleigh
4.8 x 3.8 cm (1.9 x 1.5 in)
c. 1585
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Nicholas Hilliard
Portrat einer Unbekannten
5 x 4,1 cm
c. 1585
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Nicholas Hilliard
Young Man Among Roses
13,7 x 7 cm
c. 1588
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Nicholas Hilliard
Portrat des Sir Christopher Hatton
5,7 x 4,5 cm
1588-1591
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Nicholas Hilliard
Portrait of Mary Sidney Herbert
circa 1590(1590)
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Nicholas Hilliard
Elizabeth, Queen of Bohemia, daughter of James I
4,7 x 3,6 cm
c. 1605-1610
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Nicholas Hilliard
Portrait miniature of Elizabeth I of England
48mm x x39mm
Date circa 1580(1580)
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Nicholas Hilliard
Portrat Elisabeth I, Konigin von England
4,5 x 3,8 cm
c. 1587
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Nicholas Hilliard
Previously unrecorded Portrait miniature
1595-1600
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| Nicholas Hilliard
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1547-1619
British
Nicholas Hilliard Galleries
Nicholas Hilliard (c. 1547?CJanuary 7, 1619) was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England. He mostly painted small oval miniatures, but also some larger cabinet miniatures, up to about ten inches tall, and at least the two famous half-length panel portraits of Elizabeth. He enjoyed continuing success as an artist, and continuing financial troubles, for forty-five years, and his paintings still exemplify the visual image of Elizabethan England, very different from that of most of Europe in the late sixteenth century. Technically he was very conservative by European standards, but his paintings are superbly executed and have a freshness and charm that has ensured his continuing reputation as "the central artistic figure of the Elizabethan age, the only English painter whose work reflects, in its delicate microcosm, the world of Shakespeare's earlier plays.
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